Wednesday, February 2, 2011

Les Quatre Edades, (the four ages)

Yon eigo-

as catro eidades

Si yiwan

Les Quatre eons

na keithre aois

Yenion Cantea. (couldn't help myself...Jp, Gal, Ch, Fr, Gael, Quenya)


Tetrahedron des quatre Metaux

In the first age, the creda yuga, when virtue is firmly established. Randa culea, The age of red-gold whose alchemical symbol is the Circle and dot.

Then the 2nd age when wisdom is challenged, but there is still the remnant of wisdom, and the age of silver and the moon, whose alchemical symbol is the crescent.

Then the age of brass, the impure koupros mixed with tin, the false gold, when indifference sets in. And madness and no one can bear the stench (or the food). Amusignly, the symbol of copper is that of Venus.

Lastly the age of gray iron, who's alchemical symbol is the circle with outstretched blade, the fourth age, founded in instability, depravity. When only strength will suffice for anything, and all pretense of virtue is lost. It is the age of 49, 7x7, the seventh step, the point of completion of the work when the world must be transformed. It has no other sign but death.


"and when the birds fall dead from the sky, then will the rainbow warriors appear..."


The schema of the four ages is to be found in various places, and in various guises. The most well known is from India. But it also turns up in odd places, such as among the Lakota and others where the it is the mother buffalo that stands on four legs, etc. I would also be remiss not to point out the dream of Nebuchadnezzar of the statue, with a head of gold, arms of silver, legs of iron and feet of clay mixed with iron. Scholars will of course contest this last example as referring to other times and kingdoms different than the other examples.

Now it is true that some clueless people hearing it called the "creda yuga" have allowed sloppy semantic creep to get the impression that this somehow implies "credulity", gullibility and naivete'. This is of course absurd. Creda, as in faith, is neither, but it is merely the certainty of truth, when virtue is firmly established, because it is obvious. It is only later when wisdom has faded that what ought to be obvious becomes "doubtful." So it is that your little hero never doubts his virtue, even when it gets him a swift punch to the face, or is ridiculed by those he calls friends.

Those attentive persons will have already grasped the associations to our characters. They may however not have appreciated that Kiba is of the age of silver. It is so, your great hero must be challenged, just as the little hero is challenged, and never wavers, but for all that can never understand why the others are so devoid of any virtue: faith, compassion, mercy, etc. It is so: the little one is of the age of red gold, randa calaea. As he says in episode 19, "why cant we all get along?" because for him it seems inconceivable that it should not be so.

More attentive persons will have noted, that it is these two orphans who were raised by "humans". While the two of the age of brass and iron were not. It is also a sign, for the motif dear to the heart of Nicholas Flamel - but also in that part of the world, it was tradition that orphans were often named "innocente". Like the "creda yuga" this also has been misunderstood.

But here I must touch upon one of the greatest of questions. Why are there four ages at all? Not why, 4, but why is there decay? You cannot hope to conquer without danger for that would be a triumph without victory. And so it is, that to have strength of conviction it is not enough to have "urges" and "voices inside". Gold is refined in the fire, it dies and is re-born, purified and stronger. But with each stage it is not as before accquiring new abilities and attributes and becomming more and more like those that made them. You cannot go from kindergarten to grad school all at one go.

Therefore do not despair that you have come to this fourth age when all is madness, depravity and death, nor dwell too long on what was in the noontide of our history. Can you not hear his voice calling to you, saying "my friends, it has been our distinct honor to live in this last 4th age of the cow when all works of false wisdom will at last fail in chaos, destruction, instability and death- for we who have stood the test, persevered in truth, charity and compassion and love till the end are crowned with a victory! One beyond the imagination of those of the earlier ages, one of which the stars will declare, "behold they have come at last"

"I thought you were going to talk about alchemy?" - Ell.
"I did." - ML
"I was thinking more of an introduction."
"The moon is too new for that."

Thursday, January 27, 2011

That Hideous Strength - The other war of the Nobles

"I cant believe you talked me into this!" ML

Darcia Stealing the Sun

... It was the mid 1950's and the west was sleepwalking through history (as is usual) when an obscure author became aware of the "chatter" among the nobles of the day: "come let us be done with man, lest he remember the ancient wisdom and come into his last inheritance. Let us drown the earth in fire until only we remain!"

What to do? Surely no one would believe such a tale, who anymore knew about such things when the last keepers were discredited and hunted like animals. But that did not stop him. The Fools! "There are rules" they said, believing the borders of the sky were inviolable....

...We're having an argument over content - Ell.

Tuesday, January 25, 2011

Doshte?

Suilad mellyn! Ore nomo Elluindil.

If you're here to learn about alchemy, you came to the wrong place. But if Tsume, Toboye, Hige and Kiba mean anything to you, then you've found a special place, doubly so if you understand the italic text!

Doshte?

Why are some tales memorable and others are not? Why do some tales hold our thoughts for days, weeks (years) after? If you are like me at all, then you know that Wolf's Rain is a tale that is both enchanting and terrifying, beautiful and sad, "filled with the sadness of men" as the elves say. And if I am any judge of the comments I've seen on YouTube and other places, then it seems that the ending left most of us with a lot to ponder, perhaps more than we could comprehend.

Alright, admit it, you cried for three days after episode 30. Then you watched it all over again!

Well, after much discussion with my friend and mentor of many years, Melda Laure, we both decided that in light of the ancient current of story that runs through WR, and its "high moral vision" and the fact that it has touched so many in a deep and lasting way, that we should (must?) finish the Great Work, and square the circle and explain, as fully as possible, the subtle message of hope within it. But here we ran into a bit of a dilemma. BONES you see, wrote a lovely story that is altogether pagan, (%99.9) indeed, not unlike the work of Prof. Tolkien who although an extreme Roman Catholic wrote a story about the (post-atlantean, pre-Abrahamic) world where christianity had not yet come to pass (nor Islam, nor any other creed of any kind.) So what to do? "Elli, you may know every tale from the Inuit to terra do fuego, but nobody wants to hear about that. "

"Possibly, even probably, sensei, but if I make the discussion about one faith I will leave out %80 of those who actually are fit to learn something, and it would be an insult to the authors," I answered.

Well, like Kiba, and any patient teacher, ML said nothing for a long time before he finally gave me a clue: "As the three rings opposed Sauron, so also it is in WR, and remeber, Elli, it was the ring of fire that held the center in both stories" You call that help? Some friend! It took me about a week to figure that one out!

I had forgotten. You see, the three rings of the elves were also alchemical. Nobody remembers this anymore, as if anybody cares.

But just as Lord Darcia had his grandfather's alchemy, so too there is Another Alchemy which opposes him, and it is this that gives the story its power and depth and glory. You see, I can tell you about Kiba, Toboye and Cheza and the lot in a metaphorical alchemical sort of way, and I hope, nobody is offended, and nobody is left out. Because of course WR is a story about the end of the 4th age, when the mother buffalo of destiny stands on one foot, wobbling, in chaos, instability and death. It is the perfect analogue and story for this dysfunctional and wretched age.

And yet, if you follow carefully, you will learn that there is within this tale, a message of incredible hope which should have left you burning with such a fiery joy that it might just dry up all those tears (well most of them) and maybe even leave you laughing. Ok, this is getting too long...

Where will You go?
Now You've no Home?
Let the Rain wash away your last days.


Aw jeez! I just unplugged the bathtub! Here, have a tissue.

The actual truth of reality is that the above lines really apply more to the Nobles than they do to the wolves. Now about Fed Chairman Ben Bernanke, Jamie Dimon, Henry Blankfein, and Tim Geithner-

"Elli! Daro! No politics!"

"ok, nin heru"

"Enough already! I'm not your Lord, nor your sensei. dammit cariad we're barely 1% different in age anymore!"

"You're still 915 years older than me."

"That's no excuse for poor grammar, lousy japanese, and even sloppier quenya! You're beginning to piss me off - go howl at the moon or something... And dont come back til the market closes."

Welcome...



Suilad mellyn! Ore nomo Elluindil.

If you're here to learn about alchemy, you came to the wrong place. But if Tsume, Toboye, Hige and Kiba mean anything to you, then you've found a special place, especially if you understand the italic text!

Doshte?

Why are some tales memorable and others are not? Why do some tales hold our thoughts for days, weeks (years) after? I showed some of the comments on YouTube to my friend and mentor of many years, Melda Laure, and he was touched.

"Good heavens! It's a bloody dagor nirnaith! *" he said

"Yes, it looks like everybody cried."

"It's about time they cried about something! As if Haiti and Baghdad weren't enough!"

"Sensei! You said no politics."

Alright, admit it, you cried for three days after episode 28 and 30. Then you watched it all over again! Oh yeah. We all cried, but how many actually understood what the storytellers told us?

I thought so.

And yet you come back again and again to watch it. Why? Because there is a deep underlying truth here from which your waking mind hides. But more importantly, there is a hidden message of incredible hope which should have left you burning with such a fiery joy that it might just dry up all those tears (well most of them) and maybe even leave you laughing yourself silly like Toboe.

"Do you really intend to tell them everything? No one will believe you."

"Sensei, what is left to tell? They might as well know the truth. Besides it's a story."

"It's a minefield. Dont come whining to me later."

Apologies to the Windowmaker for having to modify your work to fit our story. We cant leave out the runt!